Along with a new step sequencer, this allows you to build complex rhythmic textures and sequences with extreme ease and inspiring effectiveness. You can browse the content by instrument or search for single sounds. Refine your search using keywords and sort instruments by category, character and type. You can also rate your favorite sounds to find them in a flash. Build complete soundtracks for any style of music within SampleTank alongside new collections such SampleTron 2 , Cinekinetik , Electromagnetik and many more.
Syntronik 2 features more gear, more control and more presets to raise your programming skills and creativity to the next level, all while enjoying the most accurate recreation of legendary synths possible.
The pure-analog tonality of this synth is huge, and its modulation capabilities allow for truly unique and stylized timbres. Able to create gigantic Moog-style basses, the CAT can also go in its own sonic direction with its clever oscillator sync implementation. Fewer than units were produced of this behemoth synthesizer that resembles a baby grand piano, and weighs nearly as much. A pioneering digital synth with a lush analog ensemble effect is reverently recreated in Syntronik 2.
The DW used digital oscillators with short samples of 16 different waveforms, then into an analog low-pass filter.
The result is a remarkably warm sounding instrument whose timbres often sound more analog than digital. Megawave The wavetable synth sounds of the original Waldorf Microwave. The Microwave was the heir to the PPG Wave legacy with its sweepable digital wavetables and Curtis chip analog filter. The unit we recorded is the most coveted Rev A version.
M The monstrous modulation matrix of the Oberheim Matrix The M brings the incredible sounds of the monstrous Oberheim Matrix capturing its many filter modes and modulation matrix. The Matrix was a technological marvel for its time, and its innovative modulation matrix gave it ultra-flexible modular synth-like routings combined with patch programmability.
We expanded the modes and slopes of our C-Type modeled filter especially for this synth in Syntronik 2. The Obie One is our recreation of the innovative Oberheim OB-1, excellent at creating classic and fat sounding bass, pad and lead sounds. The new 4-pole slope in our O-Type state variable filter model in Syntronik 2 now captures the distinct difference between the 2- and 4-pole filter sounds of this excellent hardware synth.
Sometimes called the "British Minimoog," the OSCar can sound deceptively analog and ultra-fat despite its digital oscillators. Pro-VS The lively sound of vector synthesis. A cousin of wavetable synthesis, vector synthesis allows the mixing of 4 oscillators with X-Y controls for extreme animation and liveliness.
Sorcerer The legendary Moog source and its transistor ladder filter. The Sorcerer offers the distinctive timbres of the legendary Moog source, two fat analog oscillators through the legendary Moog 24 dB per octave transistor ladder filter.
In many ways, the Source was a programmable Minimoog capable of generating massive basses and superior leads. Triptych The warm sounds of the Korg Trident. The Triptych is based on the warm sounds of the classic Korg Trident with its separate synth, string and brass sections.
The Trident was basically a 2-oscillator Korg Polysix combined with a convincing string machine with dedicated ensemble chorus and a paraphonic brass synth. It is a beast of a synth capable of a wide range of classic analog synth and stringer sounds.
Memory-V Based on Memorymoog. Memory-V is based on the classic oscillator monster analog polysynth, the legendary Memorymoog. Its timbral palette is nothing short of impressive, capable of producing a huge variety of sounds including strings, brasses, pads, flutes as well as more percussive sounds.
And of course in Syntronik, they even excel at pads when played polyphonically! This unique combination of top-quality synth sources creates album-ready analog drum sounds that will instantly boost the range, depth and quality of every production. It was available in 4, 6 or 8-voice versions. One of the most loved polysynths of all time, the Syntronik J-8 recreates the Roland Jupiter-8 along with sounds from the Jupiter-6 and Jupiter Manufactured from —, the Prophet-5 is perhaps the most popular polysynth of its era.
It starts with two selectable-shape oscillators per voice along with a noise generator going into a 4-pole low pass filter. Oscillator sync and FM is available which creates many of the classic pop tones for which the Prophet-5 is known. IK Multimedia recreated the Juno sound from its comprehensive virtual instrument collection, Syntronik. Featuring a step sequencer and a modular effects rack not found on the original synth—and including a large assortment of dynamic, modulation, and spatial effects processors—the Syntronik J ships with 78 versatile stock presets of basses, pads, leads, strings, plucks, and FX that the Roland Juno has become known for.
Developed with IK Multimedia's proprietary DRIFT technology—and designed to accurately reproduce the idiosyncratic behavior of hardware oscillators—the Syntronik J works both as a plugin inside your prefered digital audio workstation, and as a standalone virtual instrument. To illustrate just a fraction of the stunning sonic character the Syntronik J is capable of, I recreated one of my all-time favorite pieces of synth music, with sounds from the Syntronik J Synthesizer.
Below, listen to my version of "Canyon Voices" by the incomparable synth pioneers Tangerine Dream. Your purchases also help protect forests, including trees traditionally used to make instruments.
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